Analyzing, Interpreting, and Assessing Visual Art Essay

The Great Wave off Kanagawa is the most well- cognise Japanese woodblock art ever created in the history of Japan (Sayre, 2010). The masterpiece was created by Hokusai Katsushika, known to be the honor adequate Japanese printmakers of the 19th century. The Great Wave off Kanagawa set precedent for the first of 36 views of Mount Fuji, 1823-29 (Sayre, 2010). I will prove the six elements of visual design, go in detail of the elements that was present in The Great Wave off Kanagawa, and evaluate the quality. The Great Wave off Kanagawa has some(prenominal) elements in this masterpiece. For compositors case, how vessel ships lines up with the turn overs making the vessels appear to be flowing with the high tide waves. The painting The Great Wave of Kanagawa is a great example of line. This painting has in truth bold, emphasized lines that help to define the water from the sky. As well within the water, the line helps to determine the different part of the water, the foam, or the curv es of the waves. Hokusai makes it very easy for nonpareils eyes to follow the moving of the water. Also, how Mt. Fuji in the distance looks like it could be part of the wave too.This was very adroit of the artist to give the impression that every(prenominal) the triangular shapes appear to be the waves themselves. In order for the artist to make this impression, he used light vapors along with dark blues for the waves depicted in the drawing. The light blues represent a higher tide and the dark blue the sea. The artist change the waves to an array of flat patterns with a black outlining for more intensity. The drawing depicts vessels that are probably carrying food and supplies this was especially relevant back in the 1800s. It is hard to ensure what time of day that the drawing possibly could corroborate been created, merely I am going to assume during the day giving the light blue hues and how one can see Mt. Fuji in the far distance. When analyzing the work in terms of fi ve principles, the central theme here is not the wave but the Mount Fujihowever at first glance, it almost reads as another cap of foam. But precisely, it is its consistency with the lines and colors of the piece, as well as the construction of the picture around it which achieve the unity of the composition. Indeed, the Mount is placed in the right central part of the composition, which has to be read from the right to the go away (instead of reading from the left to the right, as occidentals use to).Furthermore, it is painted with the two main colors of the picture. The message uniting this piece is conveyed through the contrast between the distant, quiet, and changeless mount in the background and the violent and ephemeral foreground scene. While evaluating the artwork of the artist, Hokusai, it appears all the attention wasnt just about the waves. He was able to balance the drawing by adding the people in the cargo ships. A person can see as the wave intensifies the situation of the sailors. The great wave commands the picture plane, dramatically overshadowing the distant peak of Mount Fuji. Reconciling the essential contradictions between the movement of the water and the stillness of the mountain, this print captures and fixes the wave so that it paradoxically becomes a static, elegant, and poised structure rather than something fluid and ephemeral. While the waves sheer scale and claw like extensions are threatening, the potential for frenzy is undermined by the aesthetic artifice of making the small wave in front of it a visual double for Mount Fuji.The viewers paying attention is deflected the subject is distanced and generalized, but here the curling wave in the foreground swallowing up the boats drawing any viewer into its orbit, creating an extraordinary immediacy of experience. The disturbingly low, water-level rack gives the illusion that we are seeing the wave from within its vortex. After carefully reviewing the picture The Great Wave off K anagawa I would say that this art expresss heathenish value to it. This painting is one of the most famous works of art in the world, but debatably the most iconic work of Japanese art. There have been thousands of copies of this painting produced and sold cheaply.Despite the fact that it was created at a time when Japanese trade was heavily restricted, Hokusais print displays the influence of Dutch art, and prove to be inspirational for many artists working in Europe later in the nineteenth century. The flattening of space, an interest in atmospheric conditions, and the impermanence of life all visible in Hokusais prints and both reaffirmed their own artistic interestsand inspired many future works of art. It does not on the other hand hold historic value because it does not depict anything in history that has occurred.ReferenceSayre, H. M. (2010). A World of Art Chapters 4-8 (6th ed.). Boston, MA Pearson Education.